Showing posts with label writing advice. Show all posts
Showing posts with label writing advice. Show all posts

Thursday, October 21, 2010

Only 11 Days Left to Enter This Contest


This contest is sponsored by my own ACFW Chapter here in Ohio. Take a look--it may be the right one for you.

Only 11 days remain!



Want to get feedback on the opening of your book?
Want feedback on your back cover blurb?
Want help polishing those first 4 pages of your book, in preparation for important contests, like Genesis and Golden Heart?

HOOK ME is for you.

Sponsored by ACFW-Ohio, the Hook Me contest offers feedback from judges, a PDF of writing tips from published authors and judges, and even 2 nifty prizes for your favorite reader and writer: You!

Check the ACFW-Ohio web site for the contest rules and submission information. www.acfwohio.com

The basics:
1,000 words from the beginning of your book, and a 300-word back cover blurb in OND .doc or .rtf document -- emailed.
$15 check (ACFW members) sent by snail mail
DEADLINE: October 31
Judging will be finished and winners notified by December 1
Each entry will go to 3 judges

Check www.acfwohio.com for the complete rules, and a sample of the judging sheet.

Michelle Levigne
ACFW-Ohio 2010 president
www.MLevigne.com

Thursday, September 23, 2010

How About Some Conflicting Advice


Everyone knows that a good novel has to have good conflict, right? But should it be internal conflict or external? Or should it be both? And, is there such a thing as good conflict?

Have no fear--my post today will give you all the "conflicting" advice you could want.

In all seriousness, yes, every good novel (or movie, or play) needs to have some juicy conflicts going. In a literary sense, all conflict is good, and the more layers of it you can keep juggling throughout your story, the better and more compelling the book will be.

But should it be external or internal, you ask? I try to use both in every book.

Heating Things Up ...

Internal conflict can be excruciating and is strong enough to carry a well-told story; however, it never hurts to add to the internal drama by heating things up outside your protagonist, too. In other words, layer on the external problems that amount to more conflict for your character(s).

Every conflict raises a question or two that your reader desperately wants answered. Such as:

* How will this problem be solved?
* What will happen to end this conflict?
* Which will keep them reading?


Before the end of the story, your job is to go back and make sure you have answered the questions, and you do this by solving the conflicts. If a conflict ends by chapter ten, create a new one in chapter eleven....

[To read the rest of this article, please click the title. You'll be taken to the blog "A Pen For Your Thoughts," where I wrote this as a guest post. Enjoy!]

Friday, September 10, 2010

The Success "Secret"



Sometimes newer writers feel like no matter what they do, success (ie., publication) remains out of their reach. Successful authors, they think, must know a secret or two that they are simply unaware of. Why else aren't they published by now?

If you are feeling like that, beware.

While success is sometimes a matter of being in the right place at the right time, or a result of who you know, more often it is a result of something completely within your grasp: Perseverance and work.

Perseverance can get you in the right place at the right time, and hard work will help you meet the people you need to know.

Colin Powell said, "There are no secrets to success. It is the result of preparation, hard work, and learning from failure."

Before you start to feel that life is unfair or that all of your time spent writing and editing your work is fruitless, ask yourself if you have prepared sufficiently, done the work that is necessary, and learned from your failures.

If you aren't published in book length fiction and that is your goal, then it stands to reason that your work is not done. (Even when you get published, your work is not done!)
Before getting that first contract, however, it is doubly important that you prepare--and keep preparing.
You must work hard--and keep working hard.
And you need to learn from every failure, which is, every rejection, every critique. (Some criticism will not be accurate, but learning to find the grain of truth in it can be very, very helpful.)

Only the Lord knows the right time, the right publisher, or the right agent for you.
And every time you get a rejection, you can accept that it was not the right place, time, or person for you or for your work.
The key is to find the right one, and that takes time, and patience.

"Great works are performed not by strength but by perseverance." Samuel Johnson

It's hard to keep believing that success will happen when it hasn't happened, yet. It's difficult to persevere in the face of rejections. But this is precisely what you must do. This is the time to lean on your God, and remember that HE is the one who has called you to do this thing called writing. Your publishing success will come in His time and in His way.

In the meantime, remember that you write not because you may be published, not to impress an agent or editor, not to show your family or friends that you can, but to serve GOD. To steward the resources of creativity and imagination that He has entrusted to your care. When you remember that it is GOD you serve,you are always a success, so long as you are faithful.

His yoke is easy and His burden is light!

For more of Linore's instruction on writing, sign up for the Greater Harvest Newsletter. You'll receive announcements of upcoming Greater Harvest Workshops for writers and speakers, which you can attend for more in-depth help in your writing career.

Sunday, May 16, 2010

Historical Instruction for Writers


As a writer of historical romance I found this very interesting. Imagine, writing advice from 1834 England, to women.

From, "The Ladies' Magazine," 1834.

"It is difficult to frame a story to amuse, and yet keep it strictly to the point of doing good. But Christians must do this. They are as much bound to do good when exercising their talents in story-telling, as though they were writing sermons. And they should never attempt to amuse the world at the expense of truth in principles, any more than they would dare to deceive the world by the violation of truth in practice."

This was a letter to the Editor of the The Ladies' Magazine, and I just wish I had the article it was a response to.

When I hold this advice up to my work-in-progress, it presents a problem, were I to take it to heart. My new book is a time-travel, and so is of necessity a violation of truth, since I don't believe in time travelling, and I hope you don't, either.
I will just have to conclude that such advice goes far as far as it goes; but that fantasy writing, such as for a book like mine, is an exception.

Any thoughts, fellow writers?